Field & Grain
Made to order, by one pair of hands.



The maker atelier
EditorialA quiet, magazine-style page for a maker who works alone: the commission explained in their own words, the materials named, and the order form at the end.
For craft studios
A studio for makers who work across materials. The brief carries the material, the finish, the glaze and the window you actually have. The piece comes back rendered in that material, before a board is cut or a kiln is booked.
Free to start · €5 of designs · no card required
Field & Grain
Made to order, by one pair of hands.


Field & Grain. A complete demo craft store in this look’s palette, typography and portfolio layout, with its own work on the wall.
Rendered work

Six stoneware plates and a serving bowl, satin ash glaze breaking over the rims.

Hand-thrown porcelain bottle, wall thin enough to glow at the shoulder.

Solid oak board with a carved handle, grain running the length, oiled finish.

Hand-bound journal in tan veg-tan leather, long-stitch spine, blind-tooled edge.

Hand-woven throw in undyed wool, open weave with a hand-knotted fringe.

Hand-formed brass sconce, patinated to a warm brown, unpolished seams.

Raku-fired bottle with copper flash and a fine crackle across the shoulder.

Stoneware bowl with carved facets, celadon gathering in every cut.

Four kiln-formed glass tumblers, etched matte exterior, polished rim.
Starting storefronts
Every look is a finished store, with its own studio name, palette, wording and portfolio. Open one to see the whole page, then start yours from it and edit what you like.
Field & Grain
Made to order, by one pair of hands.



A quiet, magazine-style page for a maker who works alone: the commission explained in their own words, the materials named, and the order form at the end.
Bench & Bell
One bench, one order at a time.



A dense grid of finished pieces in wood, glass, leather and clay, with the commission brief directly beneath it.
One Off
One piece, made once.



One column, one photograph, no decoration, for a maker whose whole year is a handful of pieces.
How it works for craft studios
Same studio, in this craft’s words. The brief questions, the examples and the concepts are all written for craft studios, and nothing else changes.
The materials you actually work in, the process behind them and one address for commissions. A client arrives already knowing whether you take the job.
Material, finish, glaze and the lead time you can honestly give, asked in one pass. A finish that does not exist on that material, or a window the kiln cannot meet, is caught before the brief is sent.
Elvoric reads the answers and returns the piece in the material the client chose: the glaze breaking over the rim, the grain running the length of the board, the patina in the seams.
Send the concept as a private link. They react to the piece rather than a paragraph, and you plan the making and the firing window around a date everyone already knows.
Begin
Set up your craft studio and send your first brief link today.