The template set
Every starting look
Every craft we build for and every look we build for it, on one page. Filter by craft or by shape, then open a look in full or start your store with it.
Rose & Rye
A wedding cake, agreed long before the day.
Wedding atelier
A magazine-style page for a studio that sells weddings: one large opening statement, the tiers described in the baker's own words, and the tasting booked at the end.
The Sunday Bakery
Celebration cakes you can order today.
The cake shop
A shop, not a portfolio: portions and prices above the photographs, lead times and a deposit, and every cake orderable in one tap.
Marlow & Rye
One cake, drawn for the day it is for.
The occasion
One occasion, commissioned by brief: the finished cakes and the maker before any service detail, with no portion table and no size bands on the page.
Blackthorn Tattoo
One artist, one client a day, drawn for the body it goes on.
The atelier
One artist, one client a day. Healed work first, the day rate named up front, and the deposit stated before you book.
Needle & Fern
Quiet linework, drawn to last.
Fine-line atelier
A restrained, gallery-led page for single-needle work: small pieces, a calm column of healed photographs, and the brief at the end.
Nine Bells Tattoo
Picked at the counter, tattooed the same visit.
The flash wall
The counter page: a wall of designs by named artists, each one priced on its own with the size in a line under it, and the chair booked from the row.
Fern & Stem
Whatever the season is doing, arranged for the room.
Seasonal atelier
A magazine-style page for a studio that designs from the room outwards: one large opening statement, generous whitespace, and the commission at the end.
Hedgerow & Bone
Colour decided by the field, not the catalogue.
Season gallery
Image-first and a little wilder: a dense grid of arrangements from the year, with the commission brief front and centre.
Thistle & Vine
A bucket a week, whatever the market is doing.
The standing account
A weekly account rather than a commission: the size and the rhythm are the product, the market decides the flowers, and nothing on the page asks for a date or a venue.
Hearth & Wheel
Glaze decided before the clay is wedged, and fired twice.
The workshop
The making above the shelf: the wheel, the glaze and the firing before the first price, then a catalogue that keeps ready-now pieces apart from pieces thrown to order.
Quiet Vessel
Fewer pieces, longer lives.
Quiet vessel
One column, one form, no decoration: for a studio making a small number of vessels very well.
Marl & Clay
One service, and the table it is set on.
The suite
The suite is the product: one service priced by the piece with a serves-N note on every row, the making after it, and no ready-now marking anywhere.
Field & Grain
Made to order, by one pair of hands.
The maker atelier
A quiet, magazine-style page for a maker who works alone: the commission explained in their own words, the materials named, and the order form at the end.
Bench & Bell
One bench, one order at a time.
The bench in pictures
A dense grid of finished pieces in wood, glass, leather and clay, with the commission brief directly beneath it.
One Off
One piece, made once.
Quiet bench
One column, one photograph, no decoration, for a maker whose whole year is a handful of pieces.
Quoin & Cotton
The press runs before the price is quoted.
The press
The press running before any price: a film at the top of the page, then suites priced by quantity band, then the commission with its wording deadline.
Marl & Type
Type, and nothing standing behind it.
Type only
No illustration and no ornament: one column of type, one paper, and nothing else on the page.
Cotton Row
The paper is the product; the press is a note at the back of the page.
The suite, by the band
Price first, film after: one suite at four quantity bands, a proof round and a dispatch date, and a second door for wording the bands do not cover.
Northline Wraps
Colour decided before the car is booked in.
Automotive atelier
The vehicle comes first: type, make, model, year and the panels being covered, all named before a photograph. A quote appears only once the vehicle does.
Northline Wraps
The car decides the film and the days.
Cars and vans, by size
A size-led page for cars and vans: hatchback to panel van. The size bands and their coverages come first, then the four things that move a quote, the work, the warranty and the brief.
Apex Livery
Livery drawn for the bike, not the brand.
Motorcycle livery
A bike-led page: the finished liveries first, then a panel-by-panel coverage list with the days each set takes, and no size table anywhere on it.
Cadence & Coat
The frame decides the finish.
Frame atelier
A frame-first page for bicycles: powder, two-pack and film priced by the component covered, the complete build photographed whole, and the wash rule stated as the warranty condition it is.